The issue is brought up with film music, if the music is too noticeable did it upstage the story? It almost takes you out of the story. But at GYG you know we are all about the food Fresh and delicious Mexican using real Aussie ingredients served up to the amazing people throughout the country on a daily basis. The films that I like have average cinematography but then surprise you with some beautiful imagery at just the right moment- it hits the story home and the image stays with you. Some may say it’s the perfect amount of sleep, the best rays of sunshine creeping through your blinds or waking up next to the ones you love. Wim Wenders is an example of someone who overdid it, in my opinion (with the exception of his documentaries). When films try to have a constant flood of images that are masterpieces, it can be distracting and too much after a time. This list is good and I enjoy these films - but it got me thinking of a point that seems a tangent but is related to holding these type of films up as 'ideal'. What would be on your list of films with perfect cinematography? Let us know down in the comments! You can grab the Big Brekkie Burrito in-store from GYG’s Caf Hola Breakfast menu, on the GYG app and via delivery from 7:00 am to 10. Sometimes we forget that we're only dreaming. It’s also relatively cheap at 10.90 per giant burrito. I think we can all agree that there really is no definitive answer as to what makes cinematography perfect - because what is perfect cinematography anyway? What makes an image great? Though these terms may be obscure and difficult to define, the emotions they evoke are vivid - so much so, in fact, that sometimes we forget that all we're doing is sitting in front of a screen watching still images go by at 24 frames per second. At GYG our passion is creating delicious Mexican food with real ingredients Our 100 clean menu. The Conformist (1970) Shot by Vittorio Storaro, ASC, AIC (Dir. Whether you consider your favorite DPs great because they invented new techniques like Toland, embrace the spectacle of the moving picture like Lubezki, or push the art form to new technological heights like Alcott, all great DPs somehow manage to quietly stitch us into the fabric of the story, using light and shadow and space and frames to both communicate and bewilder. Days of Heaven (1978) Shot by Néstor Almendros, ASC (Dir. The third thing is, of course, that the films you think have the best cinematography are not on the list.

The second thing is probably that Roger Deakins is nowhere in sight, though it might've come as no surprise to see DPs like Chivo Lubezki, Gregg Toland, and Vittorio Storaro on the list. The first thing that might strike you about the list is that it's actually quite varied in terms of genre, era, and style.

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